Breakfast TV, David Morley, Olympic Games

It’s around this time every 4 years that our nation becomes transfixed with its sense of patriotism. We sit down to watch the heats, the splits, the strokes and the jumps, and we feel connected as a nation. A unified nation cheering on our fellow Aussies as they go for Olympic gold.

Or are we? Especially when the likes of James “The Missile” Magnussen, the Kookaburras and Michael Diamond fail to achieve the lofty (yet somewhat valid) expectations that are placed upon them. It doesn’t help when headlines such as ‘Misfires at the crying Games’, ‘Michael Diamond outgunned’ and ‘Kookaburras come up short once more’ dominate our headlines. Personally, I feel alienated. After all, athletes don’t always win. Physical ability isn’t the only thing determining the outcome of the Olympic Games – Steven Bradbury anyone?

Despite this, there are still some unifying features of these Olympic Games in particular. Take Karl Stefanovic. He’s Australia’s favourite dad – perhaps purely thanks to his plentiful dad jokes. So too, the immersion of Olympic reportage across all mediums, as annoying as that may be.

Unifying or not, the Olympics can be consider extraordinary television. Pumped out to an entire nation it covers all possible emotions on the spectrum. Another medium that captures a nation (debatable), and is our favourite dad’s native habitat is breakfast TV.

David Morley posits in his article ‘Broadcasting and the Construction of the National Family’ that “through content and form – television produces a sense of time for the audience’. This could not be more true for a format such as breakfast television. Headlines scroll across the bottom of the screen initiating us in the happenings of the world and our nation. Field reporters report from afar noting how cold it is at 6.00am in the morning. We are treated to interviews on the latest topics of the day. If we can get even more specific – the time is shown at the bottom left of the screen. I would make use of another Morley quote here to back up my note, “broadcasting is not simply involved in ordinary life but… constitutive of it”. Indeed, broadcasting in the form of breakfast television “is obsessed with identifying itself with the daily world of the television viewer” J. Weiten & M. Pantti. (2005). Karl the Dad. Lisa the Mum. Ben the Brother. Georgie the sister. Actually Karl could still be a brother. Come to think of it, the Today team could actually be the Brady Bunch.. Regardless of their familial ties, we feel so safe and comfortable in the company of these people. We’re happy to wake up to their voices and hear their stories, or at least hear them talk about them.

Sadly, (not really, I just love Karl), I’m sure a lot of people wouldn’t agree with me. Just like I feel a little alienated by the Olympics coverage, there is bound to be plenty of people out there who feel sick watching Karl construct witty puns and Richard Wilkins interview the fluff of Hollywood.

Can TV then be considered a ‘counter public sphere’ in the way it polarises it’s viewers? I would suggest not. While some of us feel included, others excluded, it opens up a forum of discussion, and with the addition of live tweeting, fango and increased amounts of audiences willingness to be active viewers – television will always assume a role in the ‘”cultural thickening” of the nation state’ (Anderson, 1983)

Advertisements

2 thoughts on “Breakfast TV, David Morley, Olympic Games

  1. You’ve really grounded this post in your own wider understandings of the week’s topic, ‘Live Television: The Extraordinary and the Everyday’. Despite being light on in terms of Habermas and his public sphere referenced this week, you’ve written a post that is very aware, and it is clear that you’ve done the readings. Habermas can be a bit unforgiving, however your inclusion of Morley’s ideas and your demonstration of understanding topics discussed this week such as breakfast television (the everyday) and the Olympics (the extraordinary) covers all bases with wit. You use an intellectual tone but which is very easy to read, you’ve made the mutually exclusive…not mutually exclusive…something I cannot do at all. It would have been great to work a little more ‘academia’ in the form of Habermas though. Very nice.

  2. Thanks for the comment Al. I agree, Habermas is really unforgiving. I know he’s got some of the best stuff, but I find referencing other writers who better suit my own style much more effective. That’s what I love about some writers, while I think I sometimes can make intellectualism accesible, I love finding someone who can do the same but better. Morley is someone who can do this.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s